dimanche 4 septembre 2011

Cyclades: the light houses

Aux îles Grecques on peut toucher le bonheur. Ce sont des phares dans mes tempêtes.


Nul péché

Sise sur une lourde Bite d'amarrage, au couchant la sirène apparaît.
Grelots aux chevilles et mains aux cheveux.
Tout près, sur le béton du quai le pêcheur mâtonnait.
Boulettes pour les sars et pain pour les mulets.
L'un comme l'autre repartent bredouilles dans la nuit du port...

Ozias



Sur les plages de Milos se conte la légende d'Adonis le baigneur errant.

Un jour de canicule Adonis nage nu dans la mer. Il contemple depuis l'eau les baigneuses sur la plage et bande comme un âne. Il n'est plus présentable et ne peut regagner le rivage, condamné à errer dans l'eau jusqu'à la taille. Seul un geste de nymphe peut relaxer l'infortuné priapique et rompre sa malédiction. Nymphes qui baignez les eaux bleues de Milos prenez soins et pitié du malheureux Adonis !

Ozias








Greek Islands where we can touch happiness. Lighthouses through our tempests.

samedi 27 août 2011

Music today's special (toute les chansons que j'aime..ou presque)

Gainsbourg hotel particulier : Vintage, mysterious, sensual, erotic.










Gainsbourg/Noir Désir les petits papiers : Classic french song plenty of words and poetry. Une reprise de Noir Désir qui chauffe et qui réchauffe ! Hope you can catch the lyrics. 












Philippe Katerine Louxor : for the fun and the excellent painting of popular french country of the clip.


















And also of course the famous 'mon amie la rose' sung by Natacha Atlas. http://www.youtube.com/watch?v=KeP-bJFg1bQ&feature=related

lundi 22 août 2011

Melancholia by Lars Von Trier


This week I saw ‘Melancholia’ by Lars Von Trier. The film opens with a clip on ‘Tristan and Isolde’ Wagner music. Difficult to say if it's the music or  the pictures which stand in the forefront or background. The ambiance of the film-ouverture is utterly ‘german romantism’ with impressive video slow moves and references to paintings like ‘Ophelia’ which inspired the advertising picture of the movie. Very emotional and in full accordance with the tone of the music it’s really a high –end clip. Even if Symbolism looks a bit cheap and heavy as the dead birds falling from the sky, the overall feeling is very aesthetic and emotional. I just wish to see plenty of clips as 
good as this one and I warmly recommend it to who loves or want to discover Wagner’s music.

For me the theme of this film is depression, melancholy, not at all a story about the end of the world. The part one (Justine) is a crescendo showing evidence after evidence the nervous disease of Justine. During this part the camera is vey mobile and stands very close to the faces of actors. Actors are great; you can catch what happens just from the pictures. No doubt that kirsten Dunts merits the interpret palm, but John Hurt as well is totally convincing. This part of the film, which makes think to Danish movie Festen, shows the bitterness of social life. Here only love seems working as a solid mode of communication, until the point where it appears that love is just a one way phantasm. To illustrate it, the groom gives a picture to his future wife asking her to keep itl lifelong and she just let it on the sofa when she stands up. I Think here to Jacques Lacan :’love is offering something we don’t have to someone who do not want it’.



The second part of the film ‘Claire’ is under the sign of the ‘Melancholia’ asteroid rushing to earth. In reality the main event is the visit of Justine who is going through a deep and contagious nervous breakdown. By her presence, her attitudes (see the meatloaf sequence) she communicates, in the confined ambience of the manor, her depression to the three characters. At the end of film Claire’s husband commits suicide , his wife and his son wait for death with  Justine who feels much better as she found a morbid  reason to live , Claire and her family dive to rescue Justine that was drowning and they perish in this salvage.

At the end of the day ‘Melancholia’  is not perfect but very good because of the beauty of photography, the accuracy of actors and Richard Wagner’s music. It is also very dark and despaired. Basically it tells that social life, and humanity is hell on earth, love is a phantasm. So it is quite nihilist and despaired but very aesthetic. It pushed me to see other films by Lars Von Trier.

Cheers !
Ozias


For the beautiful music and fill intro, please click below :


http://www.youtube.com/watch?v=xWQ2YZG8kcA&feature=related


mercredi 8 juin 2011

tea ceremony in Tokyo


Au Japon, servir le thé est autant un art qu'une discipline spirituelle. En temps qu'art, la cérémonie du thé permet d'apprécier les lignes pures du pavillon de thé, la sensation du bol de thé dans la main, la compagnie des hôtes créant ainsi un instant tout dévolu à la pureté. En tant que discipline la cérémonie du thé remonte au XIIème siècle. Elle est étroitement liée aux canons de l'architecture, de l'agencement des jardins, la céramique, la peinture, l'arrangement floral et bien sûr le bouddisme zen.








In Japan, serving tea is an art and a spiritual discipline. As an art, the tea ceremony is an occasion to appreciate the clean lines of the tea room's design, the feel of the bowl in the hand, and a simple moment of purity. As a discipline, it has roots in the twelfth century and intimate connections to architecture, landscape, gardening, ceramics, flower arrangement and of course, zen buddhism.

Sendo Takana 'the tea ceremony'